[Adam Gopnik] reviews a couple books that cover the history of [Times Square] in NYC. Traub and Sagalyn agree in dispelling a myth and moving toward a history, and the myth irritates them both-Traub's usual tone of intelligent skepticism sometimes boils over here into exasperation. The myth they want to dispel is that the cleanup of Times Square in the nineties was an expression of Mayor Rudy Giuliani's campaign against crime and vice, and of his companion tendency to accept a sterilized environment if they could be removed, and that his key corporate partner in this was the mighty DisNey, which led the remaking of West Forty-second Street as a theme park instead of an authentic urban street. As Traub and Sagalyn show, this is nearly the reverse of the truth. It was Mayor EdKoch who shaped the new Times Square, if anyone did, while the important private profit-makers and players were almost all purely local: the Old Oligarchs, the handful of rich, and mostly Jewish, Real Estate families-the Rudins, Dursts, Roses, Resnicks, Fishers, Speyers, and Tishmans, as Sagalyn crisply enumerates them. Mayor Giuliani, basically, was there to cut the ribbon, and Disney to briefly lend its name... The distinction between popular culture and mass culture is to our time what the distinction between true folk art and false folk art was to the age of Ruskin and Morris; we want passionately to define the difference because we know in our hearts that it doesn't exist... All the same, there is something spooky about the contemporary Times Square. It wanders through you; you don't wander through it. One of the things that make for vitality in any city, and above all in New York, is the trinity of big buildings, bright lights, and weird stores. The big buildings and bright lights are there in the new Times Square, but the weird stores are not. By weird stores one means not simply small stores, mom-and-pop operations, but stores in which a peculiar and even obsessive entrepreneur caters to a peculiar and even an obsessive taste... Which returns us, with a certain sense of awe, to the spell still cast by the original sin of the 1811 grid plan. We make our accidental pleasure plazas do the work of the public squares we don't have. This is asking a lot of a sign, or even a bunch of bright ones lighting up the night.

User Options Recent Changes Help Page