(2017-08-03) A P2p Overview Of Neal Stephensons Diamond Age

A P2P Overview of Neal Stephenson's Diamond Age. In Four Futures, Peter Frase poses, as a thought experiment, an “anti-Star Trek”: a world that shares the same technologies as Star Trek: The Next Generation‘s post-scarcity communist society, but in which those technologies of abundance are enclosed with “intellectual property” barriers so that capitalists can continue to live off the rents of artificial scarcity.

This is the world of The Diamond Age. In Stephenson’s medium-term future, Star Trek’s matter-energy replicators are a reality (well, the food replication is considerably well below Star Trek standards). A world of plentiful sustenance for all, without money, is technologically feasible. But there the similarity ends.

The world in this future is governed by the international order that emerged from a period of chaos—the Interregnum—following the collapse of most major nation-states that occurred when encrypted currencies (crypto) starved them of tax revenue.

The basic unit of organization is the phyle—a deterritorialized, networked opt-in community with associated support platforms, which is based on some shared point of affinity like ethnicity, ideology or religion.

The largest and richest are the neo-Victorians (recruited largely from the Anglosphere) and the Nipponese, both governed by an intensively work-oriented and capitalistic ethos and making money through nanotech and other forms of engineering and design.

Given the existence of technologies of abundance, the profitability of neo-Victorian and Nipponese industry obviously depends on patents and copyrights.

The combination of “intellectual property” and the dependence of matter compilers on the Feed severely hobbles the potential for abundance. Some basic minimum of essential life support—fabricated staple foods, clothing, blankets—is available for free from public matter compilers. Everything else has a price, often steep.

This system of artificial scarcity is maintained through an international regime called the Common Economic Protocol (CEP)

Although David De Ugarte‘s adoption of the term “phyle” for neo-Venetian platforms like the Las Indias Group was obviously an homage to The Diamond Age, the capitalist phyles in the story are nothing like De Ugarte’s vision of networked platforms incubating cooperative enterprises for commons-based peer production.

The main geographic setting of the story is the southern coast of China.

The relationship Stephenson depicts between the capitalist phyles, Protocol Enforcement and the various Chinese states is reminiscent—deliberately so, obviously—of the era of the Open Door and gunboat diplomacy

At the time of the story, the disemployment of hundreds of millions of peasants in the Chinese interior by newly developed synthetic rice from the MCs has resulted in a radical uprising—the Fists of Righteous Harmony—obviously based on the Boxer Rebellion.

Meanwhile, a coalition of CryptNet, other dissident phyles, and local mini-states allied with the Fists is at work developing a genuine post-scarcity alternative to the Feed, which will destroy the material foundation of the CEP’s global order. This rival technology—the Seed—will use self-assembling nanotech to compile food, tools and goods of all kinds from ambient matter on-site, independently of Feed lines.

John Hackworth, an artifex (senior engineer) in one of the New Atlantan nanotech firms, describes it from his point of view:
"Of course, it can’t be allowed—the Feed is not a system of control and oppression, as CryptNet would maintain. It is the only way order can be maintained in modern society—if everyone possessed a Seed, anyone could produce weapons whose destrucive power rivalled that of… nuclear weapons. This is why Protocol Enforcement takes such a dim view of CryptNet’s activities."

The real reason for his horror—of course—is that the Seed would “dissolve the foundations of New Atlantis and Nippon and all of the societies that had grown up around the concept of a centralized, hierarchical Feed.” More specifically it would, by enabling people to meet all their needs for free and without limit or permission, destroy the wealth of those who lived by claiming ownership over the right to use ideas.

The Mandarins of the Celestial Kingdom, on the other hand, envisioned a high-tech neo-Confucian order in a China “freed from the yoke of the foreign Feed,” in “the coming Age of the Seed.”

The book ends, as the victorious Fists surge through the coastal claves, with the destruction of the near-complete design for the Seed. The clear implication is that, absent any alternative to the Feed, the Fists’ uprising will collapse and the hegemony of the CEP will reassert itself over China. At the same time there is also a hint—but perhaps this is just my wishful thinking—that the setback to development of the Seed is only a temporary postponement.