Jon Lebkowsky: The Mirrorshades anthology, edited by our cohost Bruce Sterling, surveyed a literary subgenre that was called cyberpunk not because the term had any precise meaning (it didn't), but because it worked as a catchy marketing bite, a buzzword representing ideas and memes that had resonance more through attitude than content. The vague term cyberpunk became a conceptual mirror, reflecting rather than conveying meaning. Over time `cyberpunk' referred less to a sci-fi subgenre, and more to a movement that was the beatnik underside of the evolving digital culture, encompassing the countercultural fascinations of the 90s -- the computer underground, rave/house culture, zine culture, designer psychedelics, goth morbidity, etc.

Cyberpunk is a subgenre of science fiction in a dystopian futuristic setting that tends to focus on a "combination of lowlife and high tech",[1] featuring futuristic technological and scientific achievements, such as artificial intelligence and cybernetics, juxtaposed with societal collapse or decay.

followed by Post-Cyberpunk, Biopunk, Steampunk, Solarpunk?

see also EduPunk

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